Fable Records Fable released a wide variety of music from rock groups to mainstream vocalists; its catalogue also included Christian gospel music by singing group The Proclaimers, comedy recordings by Frankie Davidson, and novelty items like Drummond's 'chipmunk' version of "Daddy Cool" and the quaint piano version of The Mixtures "In The Summertime." Fable was officially launched in April 1970 with
a batch of five singles (all by Australian artists) and the success
it enjoyed over its first nine months was nothing short of
spectacular, seven of its first twelve singles made the national Top
40, and of the forty-one singles Fable released between April and
December 1970, seventeen became hits, including two national #1s by
The Mixtures' "In The Summertime" and "The Pushbike Song" and four
other Top 10 hits by Hans Poulsen, Liv Maessen, Jigsaw and John
Williamson. Fable won many industry awards during its fifteen year
life. [ As a result of the 1970 radio ban, during which many Australian radio stations refused to play Australian and British music released by major labels, the Mixtures recorded a cover of Mungo Jerry's "In the Summertime" and received much more airplay than had initially been expected for a group on a small record label. The single went to #1 in Australia for six weeks. They followed up with "The Pushbike Song", which went to #1 in Australia for two weeks, hit #2 in the UK Singles Chart, and went to #44 on the Billboard Hot 100 in the U.S. The Pushbike Song (1971) Their next single "Henry Ford",
only peaked at #43 but the followup single "Captain Zero" went to #5
in 1971, and was their last big hit. The group released material
together for several more years before breaking up in 1976.
‘Bluestone’ was heavily influenced by west coast American country
rock including artists such as ‘The Byrds’, ‘The Flying Burrito
Brothers’, ‘The Eagles’, Jackson Brown, Emmylou Harris and numerous
other influential songwriters as well as performing and recording
much of its own material. The bands’ first album, self titled ‘Bluestone’, was released to excellent reviews in 1974 and helped to cement the band as a major force in Australian country music. The single from the album, ‘Wind and Rain’, was a hit across Australia in 1973. By the
1980’s the band made the move into straight country releasing a 2nd
L.P. for Avenue Records in 1982. 1st single was the chugging soft
rocker "Single Again" (similar in style to Darryl Cotton's Same Old
Girl), on which former Fraternity/Flying Circus member guests with
some typically fine guitar work. It was perhaps the best chance at a
hit in late 1981 but did not have the hoped for success. A 2nd
single "Remember", was another excellent, commercial release that
showed some almost new wave influences surprisingly. And yet it also
failed as did this fine album which followed in April 1982. The
album itself also showed more diversity than one might have expected
after Bluestone's debut. Jigsaw were at one time Johnny Chesters backing band but eventually managed to forge a career of there own. Alas Jigsaw have never had their own studio LP release, only an EP and a multitude of singles, 13 in total. They did however share two albums with Johnny Chester, each having one side each, with Jigsaw also backing Johnny Chester on his tracks. The first collaborative album was self titled and
included such hits as Yellow River, Albert The Albatross, as well as
Chester's singles - Glory Glory & Shame And Scandal (In The Family).
The 2nd, entitled 'Going Places' featured How Do You Do and their
last big hit Mademoiselle Ninette. His singing career started in 1959 when at the age of seventeen he began running a dance in the St Cecilia's Church Hall in Melbourne's suburban West Preston. With his mum selling tickets, his dad on the door and great support from the teenagers in the area the local dance soon grew too large for the venue and so was moved in late 1960 to the much larger Preston town hall. Here with the enormous support of legendary radio disc jockey Stan 'The Man' Rofe the dance became the most successful of its time and Johnny soon came to the attention of W&G Records. This was all during the time in Melbourne when rock'n'roll was king. During the 60s, whilst establishing himself as a recording artist and songwriter, he hosted two national television series for the ABC. He toured with a host of overseas stars including the Beatles, Roy Orbison, Dion and the Everly Brothers and worked as associate producer of the national 'Kommotion' Televison show and a disc jockey on Melbourne's number one radio station 3UZ as well as doing an entertainment tour of duty for the Australian and American forces in Vietnam. During the 70s we saw a major musical transition take place as Johnny Chester moved via a varied but well charted course in to Country Music. Johnny Chester made records for Fable from 1970 until 1976. He recorded with both studio musicians and Jigsaw who became his permanent backing band while Johnny produced their records. In 1971 they released their first album for Fable titled Johnny Chester and Jigsaw, from which the single "Shame and Scandal in the Family" was released. It went to Number One in several states. Winning along the way three consecutive Golden
Guitars at the Australasian Country Music Awards for Male Vocalist
of the Year and many other accolades as well both here and overseas.
He continued to tour with his own show and with international acts
like Kenny Rogers, Johnny Cash, Tammy Wynette, Roger Miller, Charlie
Pride and Freddy Fender. He also hosted two more national television
series for the ABC. From 1989 to 1991 he hosted several weekly radio
programs including his 'Soundabout Club' and his 'World of Country
Music' for Radio Australia, our international broadcaster. Formed in Melbourne in 1969, Axiom were arguably Australia's first true supergroup. Yet, in spite of a wealth of talent and promise, some notable chart successes and two superb Albums of original material, they failed to achieve lasting popularity, due in part to waning public support in Australia as they vainly tried to crack the fickle English market, and the band fizzled out after less than two years. Nevertheless, Axiom deserve to be recognised as an important musical bridge between Sixties pop and Seventies rock in Australia, as one of the first serious attempts to make Australian rock with international appeal, and as one of the finest bands of their time. Axiom were touted as Australia's first supergroup, because it contained 5 seasoned musicians, rather than one or two gifted musicians in a band of 4 or 5 members. They had chart success with their first single, Arkansas Grass, reaching number 1 only in Brisbane, but top 5 elsewhere, but to many its 2nd single, A Little Ray of Sunshine is probably more fondly remembered. It's interesting to compare how the band's singles charted in different states. In three states, only three of their releases charted (My Baby's Gone was the third single to reach the charts, whereas in Adelaide, all five were represented. In two states Arkansas Grass was more popular than Ray of Sunshine whereas in Adelaide, My Baby's Gone was the highest charting of any of their releases there! The featured track here "Little Ray of Sunshine" shot to #5 in April 1970 and has since become a standard. Their first two Axiom singles are rightly considered classics, and the latter, a perennial favourite, has become one of Glenn Shorrock's trademark songs, and was even celebrated with its own stamp in Australia Post's 1998 "Australian Rock" stamp series. It was followed by Axiom's brilliant debut LP Fools Gold, which was both widely praised and a significant commercial success, reaching #18 on the album chart in June. Fool's Gold unquestionably ranks as one of the best and most original Aussie albums of the period. It was also a significant step forward in creative control, being one of the very first Australian rock albums released on a major label that was produced by the artists themselves. Axiom was able to take advantage of the great improvement in sound provided by the new 8-track facilities at Armstrong's Studios, which showcased a selection of superb songs, brilliantly performed. All members of Axiom went on to further their careers in the industry, but perhaps the better known of the group were Brian Cadd and Glenn Shorrock, both of whom have had enormous solo careers. Don Mudie who co-wrote most of the material on the band's two albums, did not pursue the limelight to the same extent.
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